Hybrid (with Peter Phillips) 1966

• Hybrid (with Peter Phillips)
• Catalogue raisonné no. 118
• Artist's CR 110c
• Ingrams and Halliwell no. 53
• 1966
• New York
• Mixed media
• Edition of 2
• 20.5 x 27 x6.5 inches / 52 x 69 x17 cm

Exhibitions:
• Selections from the John G. Powers Collection, The Aldrich Contemporary Art Museum, Ridgefield, 1966
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• Kornblee Gallery, New York, 1966
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Literature:
• Mario Amaya, Pop as Art: A Survey of the New Super Realism, Studio Vista, London, 1965
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• 'Market Research Art', LIFE, 20 May
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• Gene R. Swenson, 'Hybrid - A Time of Life', Art and Artists, vol.1, no.2, June
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• Lawrence Alloway, 'Hybrid', Arts Magazine, May
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• William Peterson, 'Gerald Laing', Artspace, Winter 1976–7
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• David Mellor, The Sixties Art Scene in London, exhibition catalogue, Barbican Art Gallery, 1993
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• Gerald Laing, 'From Here to Apostasy', Art Review, April
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• David Brauer, Jim Edwards, Christopher Finch, Walter Hopps, Pop Art: U.S./U.K. Connections, 1956–1966, exhibition catalogue, The Menil Collection, 2001
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• Susan Mansfield, 'Why I Said Goodbye to Warhol', Scotsman, 27 August
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• Marco Livingstone and Walter Guadagnini, Pop Art UK: British Pop Art 1956–1972, exhibition catalogue, Galleria Civica di Modena, 2004
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• Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, Sims Reed Ltd, London, 2006
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• John J. Curley, 'Hybrid Sculpture of the 1960s', British Art Studies, issue 3, [url=https://doi.org/10.17658/]https://doi.org/10.17658/[/url] issn.2058-5462/issue-03/jcurley-1960s (accessed September 2016)
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Related Artworks
• 
  Hybrid Research Kit, Mixed media, 1965, 115
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• 
  Hybrid Blueprint, Blueprint, 1966, 116
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• 
  Hybrid Maquette, Mixed media, 1966, 117
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