- Portrait of Malcolm Morley
- Catalogue raisonné no. 372
- Artist's CR 351
- 1976
- Amagansett, New York
- Bronze
- Edition of 10
- 13.25 x 11 x10 inches / 34 x 28 x25 cm
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Gerald Laing: Sculpture at Chisenbury Priory, Chisenbury Priory, East Chisenbury, 2002chevron_right
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Gerald Laing: From 1963 to the Present, Bourne Fine Art, Edinburgh, 2004chevron_right
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Space, Speed, Sex: Prints and Multiples 1965–1976, Sims Reed Gallery, London, 2006chevron_right
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Gerald Laing: Sculpture at Chisenbury Priory, exhibition catalogue, Chisenbury Priory, 2002chevron_right
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Gerald Laing: From 1963 to the Present, exhibition catalogue, Bourne Fine Art, 2004chevron_right
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Space, Speed, Sex: Prints and Multiples 1965–1976, exhibition catalogue, Sims Reed Gallery, 2006chevron_right
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Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, Sims Reed Ltd, London, 2006chevron_right
Selected Citations and Comments
In New York and Albuquerque in 1976 I made a series of portraits of my old friend, the painter Malcolm Morley, consisting of his profile and some other detail applied to an egg-shaped form. The first of these is life-size, modelled in clay, and cast into bronze; the second is a carved bas-relief. These were followed by two multiple versions… One is a drawing etched on glass over a lithograph of an egg-shape expressing volume (and confusion); the other is three sheets of etched glass set 10 mm apart so that the layered drawings floating over one another change as the viewer moves about. At the time I was fascinated by the shape of Morley’s head and its contents.
, Gerald Laing Prints and Multiples: A Catalogue Raisonné, London, 2006, p.189