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Untitled

Artists CR 079a

April 1965

New York City

Acrylic on plastic, aluminium,and formica box

6x8x3.5inches/15x20x9cm

Collection: Artist's estate

Exhibitions: Lyndsey Ingram at the Armory Show, Lyndsey Ingram at the Armory Show, New York City, 2019

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Stab Two

Artists CR 081

April 1965

New York City

Plastic, acrylic and chrome on brass, irregular shape

20.75x13.75x2inches/53x35x5cm

Collection: Private collection, New York.

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection;Collection of John and Kimiko Powers., 1965-;.

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Standing Double

Artists CR 082

April 1965

New York City

Acrylic and oil on lacquered plywood, and chrome on steel

64x48x31inches/163x122x79cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;Collection of John and Kimiko Powers., 1965-;.

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noimage

Sudy Special

Artists CR 083

April 1965

New York City

Acrylic on plastic and chrome on aluminium

6x4x2.5inches/15x10x6cm

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965-;.

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Slow Stab

Artists CR 084

May 1965

New York City

Acrylic on aluminium and chrome on steel

113x17inches/287x43cm

Collection: Artist's estate

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;Collection of John and Kimiko Powers., 1965-2000;.

Exhibitions: Gerald Laing: Paintings, Drawings, Constructions, Prints, Richard Feigen Gallery, Chicago, IL, 1965; Gerald Laing 1936–2011: A Retrospective, The Fine Art Society, London, 2016

Literature: Gerald Laing 1936–2011: A Retrospective, 2016.

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Gyron II

Artists CR 085

May 1965

New York City

Acrylic on aluminium and chrome on steel

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;.

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Small Standing Double (edition)

Artists CR 086

May 1965

New York City

Acrylic on plastic and chrome on brass (Edition of 5)

5.75x4x3inches/15x10x8cm

Collection: Private Collection

Exhibitions: 1971: Gerald Laing, Scottish National Gallery of Modern Art, Edinburgh, 1971

Literature: Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971.

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Loop (Hinged)

Artists CR 086a

1965

New York City

Metalflake and acrylic on aluminium, and polished stainless steel

79x41x21inches/201x104x53cm

Collection: Artist's estate

Exhibitions: Gerald Laing 1936–2011: A Retrospective, The Fine Art Society, London, 2016

Literature: Gerald Laing: A Retrospective 1963–1993, 1993.

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Study for Loop (Hinged)

Artists CR 086b

1965

Watercolour and collage

13x8.5inches/33x22cm

Collection: Artist's estate

Exhibitions: Lyndsey Ingram at the Armory Show, Lyndsey Ingram at the Armory Show, New York City, 2019

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Glide

Artists CR 087

May 1965

New York City

Oil on aluminium and chrome on steel

120x36.5inches/305x93cm

Powers collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;Collection of John and Kimiko Powers., 1965-;.

Literature: R.S., Gerald Laing, , Arts Magazine, 1969.

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Print (prototype)

Artists CR 088

May - June 1965

New York City

Oil on aluminium and chrome on brass, irregular, hinged

6x17inches/15x43cm

Powers collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1966;Collection of John and Kimiko Powers., 1966-;.

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Print

Artists CR 089

July - September 1965

London

Oil on aluminium and chrome on brass, irregular, hinged and boxed (Edition of 46)

6x17inches/15x43cm

Collection: Private Collection

Provenance: .

Exhibitions: 1971: Gerald Laing, Scottish National Gallery of Modern Art, Edinburgh, 1971; Gerald Laing: A Retrospective 1963–1993, The Fruitmarket Gallery, Edinburgh, 1993; Gerald Laing: Sculpture 1968–1999, The Fine Art Society, London, 1999; Gerald Laing: From 1963 to the Present, Bourne Fine Art, Edinburgh, 2004; Space, Speed, Sex: Prints and Multiples 1965–1976, Sims Reed Gallery, London, 2006; Gerald Laing: Prints and Multiples, Sims Reed Gallery, London, 2012; Lyndsey Ingram at the Armory Show, Lyndsey Ingram at the Armory Show, New York City, 2019

Literature: Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Gerald Laing, Gerald Laing: An Autobiography, 2011; Gerald Laing: A Retrospective 1963–1993, 1993; Gerald Laing: From 1963 to the Present, 2004; Gerald Laing: Prints and Multiples, 2012; Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971; Gerald Laing: Sculpture 1968–1999, 1999.

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Little Red Loop

Artists CR 090

June 1965

London

Stove enamel on aluminium and chrome on brass (Edition of 15)

12x6x3inches/30x15x8cm, irregular, hinged

Collection: Artist's estate

Exhibitions: Gerald Laing: Paintings, Drawings, Constructions, Prints, Richard Feigen Gallery, Chicago, IL, 1965; 1971: Gerald Laing, Scottish National Gallery of Modern Art, Edinburgh, 1971; Lyndsey Ingram at the Armory Show, Lyndsey Ingram at the Armory Show, New York City, 2019

Literature: Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971; Emmanuel Grandjean, The MAMCO puts an English Dish on its Winter Menu, , Tribune de Genève, 2005; Gerald Laing 1936–2011: A Retrospective, 2016.

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Yellow Flame

Artists CR 091

July 1965

London

Stove enamel on aluminium and chrome on steel, irregular, hinged

11x60x29inches/28x152x74cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;Collection of John and Kimiko Powers., 1965-;Collection of Academy for Educational Development, Washington D.C.., -2011; (Shannon’s, Woodmount Road, Milford, Connecticut, Milford) Private Collection, 28 April 2011;Private collection, 2011 - 2012; (Christie’s King Street, London) Private Collection, 24 May 2012;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965

Literature: 20th Century British and Irish Art Day Sale, 2012.

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Red Needle

Artists CR 092

July 1965

London

Stove enamel on aluminium and chrome on steel, irregular, hinged

113x17inches/287x43cm

Provenance: Collection of John and Kimiko Powers., 1965; (John and Kimiko Powers, Carbondale).

Exhibitions: Richard Feigen Gallery, New York, NY, 1965

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Corner Piece

Artists CR 093

July 1965

London

Stove enamel on aluminium and chrome on steel, irregular, hinged

78x28x16inches/198x71x41cm

Collection: The Aldrich Contemporary Art Museum, Ridgefield

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965; Highlights of the 1965–66 Art Season, The Aldrich Contemporary Art Museum, Ridgefield, 1966

Literature: Highlights of the 1965–66 Art Season, 1966.

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Slide

Artists CR 094

July 1965

London

Stove enamel on aluminium and chrome on steel

100x48inches/254x122cm

Collection: The Aldrich Contemporary Art Museum, Ridgefield

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;Collection of John and Kimiko Powers., 1965-;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965

Literature: Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971; Fred W. McDarrah, [untitled], , The Village Voice, 1965.

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Purple Drop

Artists CR 095

August 1965

London

Stove enamel on aluminium and chrome on brass

57x47x2inches/145x119x5cm

Collection: Artist's estate

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;Collection of John and Kimiko Powers., 1965-2000;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965; Gerald Laing: Sculpture 1965–1978, The Fine Art Society, London, 2008

Literature: Gerald Laing: Sculpture 1965–1978, 2008.

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Three Falls

Artists CR 096

August 1965

London

Stove enamel on aluminium and chrome on brass, formica box

12.5x22.5inches/32x57cm

Powers collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;Collection of John and Kimiko Powers., 1965-;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965

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Slot

Artists CR 097

August 1965

London

Stove enamel on aluminium and chrome on brass, irregular, hinged

62.5x43x21inches/159x109x53cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965; Contemporary American Painting and Sculpture, Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, 1967

Literature: Gerald Laing: A Retrospective 1963–1993, 1993; University of Illinois, Contemporary American Painting and Sculpture, 1967.

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Small Backdrop

Artists CR 098

August 1965

London

Stove enamel on aluminium and chrome on brass, formica box

11.5x9.5x3.25inches/29x24x8cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, Chicago, IL) Private Collection, 1965;Private collection, 1965-2012; (Shannon’s, Woodmount Road, Milford, Connecticut, Milford) Private Collection, 24 October 2012;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965

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Stack

Artists CR 099

September 1965

London

Stove enamel on aluminium and chrome on brass, formica box

18x12x1inches/46x30x3cm

Gregory L. Kinzelman

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;Collection of Leo S. Guthman., 1965-2003; (Leslie Hindman Auctioneers, West Lake Street, Chicago, Chicago) Private Collection, 15 December 2003;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965

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Quadrant

Artists CR 100

September 1965

London

Stove enamel on aluminium and chrome on brass

61x52x5inches/155x132x13cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;.

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noimage

Small Slide

Artists CR 101

October 1965

New York City

Stove enamel on aluminium and chrome on brass

20x24.5inches/51x62cm, (framed)

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965

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New Backdrop

Artists CR 102

October 1965

New York City

Enamel on aluminium and chrome on brass, irregular, hinged

96x72inches/244x183cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection;.

Exhibitions: Richard Feigen Gallery, New York, NY, 1965

Literature: Fred W. McDarrah, [untitled], , The Village Voice, 1965.

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Red Glide

Artists CR 103

November 1965

New York City

Enamel on aluminium and chrome on brass, formica frame

27x24.5inches/69x62cm, (framed)

Unknown

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;Collection of John and Kimiko Powers.;Collection of Academy for Educational Development, Washington D.C..;.

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Maquette No.1 for Twin

Artists CR 104

November 1965

New York City

Enamel on aluminium and chrome on brass, formica frame

17.5x24.5inches/44x62cm, (framed)

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection;.

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Maquette No.2 for Twin

Artists CR 105

November 1965

New York City

Enamel on aluminium and chrome on brass, formica frame

17.5x24.5inches/44x62cm, (framed)

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection;.

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Maquette for Trace

Artists CR 106

November 1965

New York City

Enamel on aluminium and chrome on brass

16x19inches/41x48cm, (framed)

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1965;.

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Twin

Artists CR 107

December 1965

New York City

Enamel on aluminium and chrome on brass

96x94inches/244x239cm, 2 parts, 5 inches/ 12.5 cm apart at nearest point

Exhibitions: Four Seasons Restaurant, New York City, 1966; Highlights of the 1965–66 Art Season, The Aldrich Contemporary Art Museum, Ridgefield, 1966

Literature: Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971; Highlights of the 1965–66 Art Season, 1966.

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Trace

Artists CR 107a

November 1965

New York City

Enamel on aluminium and chrome on brass

96x72inches/244x183cm

Collection: Private collection

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1966;.

Exhibitions: Primary Structures: Younger American and British Sculptors, The Jewish Museum, New York, 1966

Literature: Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Gerald Laing: A Retrospective 1963–1993, 1993; Space, Speed & Sex: Prints & Multiples 1965–1976, 2006; R.S., Gerald Laing, , Arts Magazine, 1969; James Meyer, Minimalism: Art and Polemics in the Sixties, 2001; Kynaston McShine, Primary Structures: Younger American and British Sculptors, 1966.

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Indenty

Artists CR 108

December 1965 – January 1966

New York City

Enamel on aluminium and chrome on brass

84x144inches/213x366cm

Unknown

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1966;Collection of John and Kimiko Powers., 1966-;Collection of Academy for Educational Development, Washington D.C..;.

Exhibitions: Primary Structures: Younger American and British Sculptors, The Jewish Museum, New York, 1966

Literature: Gerald Laing: A Retrospective 1963–1993, 1993; James Meyer, Minimalism: Art and Polemics in the Sixties, 2001; Kynaston McShine, Primary Structures: Younger American and British Sculptors, 1966.

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Maquette for Indenty

Artists CR 109

December 1965 – January 1966

New York City

Enamel on aluminium and chrome on brass, formica frame

16.5x26inches/42x66cm, (framed)

Unknown

Provenance: (Richard Feigen Gallery, New York, NY) Private Collection, 1966;Collection of John and Kimiko Powers.;Collection of Academy for Educational Development, Washington D.C.., 1990;.

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Wedding Painting for S and RF

Artists CR 110

January 1966

New York City

Enamel, polish and lacquered aluminium, Plexiglas frame

11.75x14inches/30x36cm

Provenance: .

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Hybrid Research Kit

Artists CR 110a

1965

New York City

Mixed media (Edition of 2)

4.3x10.2x10.1inches/11x26x26cm, (boxed)

Harvard Art MuseumsCollection: Private collection

Provenance: Collection of John and Kimiko Powers., -1977;.

Exhibitions: Kornblee Gallery, New York, 1966; Gerald Laing: A Retrospective 1963–1993, The Fruitmarket Gallery, Edinburgh, 1993; Gerald Laing: From 1963 to the Present, Bourne Fine Art, Edinburgh, 2004; Aspects of British Abstract Art (1959–1966), Musée d’Art Moderne et Contemporain, Geneva, 2005–6

Literature: Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Gerald Laing: A Retrospective 1963–1993, 1993; Gerald Laing: From 1963 to the Present, 2004; Space, Speed & Sex: Prints & Multiples 1965–1976, 2006; David Mellor, The Sixties Art Scene in London, 1993, p.34; Market Research Art, , LIFE, 1966, p.71; David Brauer, Jim Edwards, Christopher Finch, Walter Hopps, Pop Art: U.S./U.K. Connections, 1956–1966, 2001, pp.29, 33, 37, 40, 64, 72–3, 82–3, 128, 162–3, 182, 190–1, 239–41, 243–5, 247; Gene R. Swenson, Hybrid - A Time of Life, , Art and Artists, 1966; Lawrence Alloway, Hybrid, , Arts Magazine, 1966, pp.38–42; William Peterson, Gerald Laing, , Artspace, 1976, pp.6–13; Marco Livingstone and Walter Guadagnini, Pop Art UK: British Pop Art 1956–1972, 2004; Marco Livingstone, British Pop, 2005, pp.220–30, 343-5; Marco Livingstone, Pop Art: A Continuing History, 1990, pp. 176-177, pl. 253; Gerald Laing: Sculpture at Chisenbury Priory, 2002; John J. Curley, Hybrid Sculpture of the 1960s, , British Art Studies, 2016.

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Hybrid Blueprint

Artists CR 110b

1966

New York City

Blueprint

32.625x57.625inches/83x146cm

Provenance: .

Exhibitions: Kornblee Gallery, New York, 1966

Literature: Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Space, Speed & Sex: Prints & Multiples 1965–1976, 2006; Market Research Art, , LIFE, 1966, p.71.

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Hybrid

Artists CR 110c

1966

New York City

Mixed media (Edition of 2)

20.5x27x6.5inches/52x69x17cm

Harvard Art MuseumsUnknown

Provenance: Collection of John and Kimiko Powers.;.

Exhibitions: Kornblee Gallery, New York, 1966; Selections from the John G. Powers Collection, The Aldrich Contemporary Art Museum, Ridgefield, 1966

Literature: Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; David Mellor, The Sixties Art Scene in London, 1993, p.34; Market Research Art, , LIFE, 1966, p.71; Mario Amaya, Pop as Art: A Survey of the New Super Realism, 1965, pp.126–130; David Brauer, Jim Edwards, Christopher Finch, Walter Hopps, Pop Art: U.S./U.K. Connections, 1956–1966, 2001, pp.29, 33, 37, 40, 64, 72–3, 82–3, 128, 162–3, 182, 190–1, 239–41, 243–5, 247; Gene R. Swenson, Hybrid - A Time of Life, , Art and Artists, 1966; Lawrence Alloway, Hybrid, , Arts Magazine, 1966, pp.38–42; William Peterson, Gerald Laing, , Artspace, 1976, pp.6–13; Gerald Laing, From Here to Apostasy, , Art Review, 1999, pp.48–9; Susan Mansfield, Why I Said Goodbye to Warhol, , Scotsman, 2002; Marco Livingstone and Walter Guadagnini, Pop Art UK: British Pop Art 1956–1972, 2004; John J. Curley, Hybrid Sculpture of the 1960s, , British Art Studies, 2016.

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Hybrid Maquette

Artists CR 110c

1966

New York

Mixed media (Edition of 10)

7x9.5x2.5inches/18x24x6cm

Exhibitions: Kornblee Gallery, New York, 1966; Selections from the John G. Powers Collection, The Aldrich Contemporary Art Museum, Ridgefield, 1966; Space, Speed, Sex: Prints and Multiples 1965–1976, Sims Reed Gallery, London, 2006

Literature: Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Space, Speed & Sex: Prints & Multiples 1965–1976, 2006.

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Purple Trace

Artists CR 111

1966

New York City

Enamel on aluminium and chrome on brass, Plexiglas base (Edition of 10)

12.5x5x2.5inches/32x13x6cm

Collection: Artist's estate

Exhibitions: 1971: Gerald Laing, Scottish National Gallery of Modern Art, Edinburgh, 1971

Literature: Lindsey Ingram and Rupert Halliwell (eds.), Gerald Laing Prints and Multiples: A Catalogue Raisonné, 2006; Space, Speed & Sex: Prints & Multiples 1965–1976, 2006; Gerald Laing and Alasdair Hamilton, 1971: Gerald Laing, 1971; Christie's, First Open: Post-War and Contemporary Art, 2013; Post-War and Contemporary Art Session II, 2011.

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noimage

Judder

Artists CR 112

1966

New York City

Enamel on aluminium and chrome on brass

75x90inches/191x229cm

Lost

Exhibitions: 26th Annual Exhibition of the Society for Contemporary American Art, Art Institute of Chicago, Chicago, 1966

Literature: 26th Annual Exhibition of the Society for Contemporary American Art, 1966.

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